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Roman portraiture : ウィキペディア英語版
Roman portraiture

Roman portraiture was one of the most significant periods in the development of portrait art. Originating from Ancient Rome, it continued for almost five centuries. Roman portraiture is characterised by unusual realism and the desire to convey images of nature in the high quality style often seen in Ancient Roman art. Some busts even seem to show clinical signs.〔Engmann B: Neurologic diseases in ancient Roman sculpture busts. Neurol Clin Pract December 2013 vol.3 no.6:539-541. doi: 10.1212/CPJ.0b013e3182a78f02〕 Several images and statues made in marble and bronze have survived in small numbers. Many Roman portraits are directly linked to specific individuals, such as gods and emperors.
Portrait sculpture from the Republican era tends to be somewhat more modest, realistic, and natural compared to early Imperial works. A typical work might be one like the standing figure “A Roman Patrician with Busts of His Ancestors” (c. 30 B.C.) 〔Janson, p. 197〕
By the imperial age, though they were often realistic depictions of human anatomy, portrait sculpture of Roman emperors were often used for propaganda purposes and included ideological messages in the pose, accoutrements, or costume of the figure. Since most emperors from Augustus on were deified, some images are somewhat idealized. The Romans also depicted warriors and heroic adventures, in the spirit of the Greeks who came before them.
==Ideology==


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